THONET been producing furniture for the home and contract
segments for two centuries: at our Frankenberg site, bentwood and tubular steel design icons as well as contemporary furniture by
renowned designers are produced with a passion for the materials and extraordinary precision.
The combination of state-of-the-art production technologies and traditional craftsmanship makes Thonet one of the most
successful furniture companies.
Less was more for Piet Mondrian. With his strictly limited pictorial elements—the colors red, yellow, and blue, black lines, white space—he sought a ‘universal harmony’ and created a whole new domain of avant-garde abstraction. This essential guide presents Mondrian's pioneering oeuvre, as well as his works of fashion and design, from White Stripes album covers to haute-couture dresses.
A key figure in the international avant-garde, Piet Mondrian (1872–1944) was at once an extraordinary painter and leading art theoretician whose influence resonates to this day. Coining the term “Neo-plasticism”, he pursued a style of painting composed only of primary colors against a grid of black vertical and horizontal lines and a white base background.
Mondrian’s vision was that this essential painting would help to achieve a society in which art as such has no place, but rather exists for the total realization of “beauty.” With stints in Amsterdam, Paris, London, and New York, Mondrian drew upon the modern metropolis and modern music, especially jazz, as points of inspiration. In 1917, he cofounded De Stijl, originally a publication, and subsequently a circle of practitioners, committed to a strictly geometrical art of horizontals and verticals.
With key works and succinct texts, this introductory book presents Mondrian's distinctive and pioneering oeuvre, an abiding inspiration for fashion, art, architecture, and design, from White Stripes album covers to Yves Saint Laurent dresses.
Susanne Deicher studied in Göttingen and Berlin, where she gained her doctorate in 1993 with a thesis on Piet Mondrian. Since 1997 she has been professor of History of Art and Culture, Aesthetics, and Architectural and Design Theory at the University of Wismar.